Tuesday, 30 August 2016

Dusk Spank - Chapter 3, pt 2

For this post, I’m putting the snark cannons away (they’ll be back for Chapter 4, don’t worry) and just trying to do a basic edit on the rest of chapter 3. I’ll pop a link to a pdf in at the end if you want to remind yourself of the torturous original.

While we’re here, I am NOT saying I am a good writer. I haven’t sold any books, and as I am sure a few of you who know me would want to point out, I haven’t even finished my OWN book.

What I have done is read a lot, written a lot and I’m still learning about the ‘craft’. So let’s look at this as a bit of practice for me, flexing some editing muscles, if you like. Excuse the bad formatting, again the original text was copied and pasted from a PDF which makes a transfer to Word and then Blogger a little weird looking. 

As an aside, I started reading both Tess and Twilight. Everyone now knows that FSOG started as Twilight fan-fic, but I hadn’t realised just how much it had been ripped off – and I’m only on chapter one! Comparisons between the three books are something I might write about in a future post, but for now…….

Let’s re-join Ana, Kate and José  at the Heathman Hotel, where they have gone to take photographs of the enigmatic Christian Grey for the student newspaper interview. José  has just finished taking the pictures…..



“Great, thank you again, Mr. Grey.” says Kate, shaking his hand.
“I look forward to reading the article, Miss Kavanagh,” says Grey. ‘Can I speak to you for a minute, Ana?’
“Sure,” I say, I glancing at Kate, who just shrugs.
‘Thank you, José , Travis,’ Grey says, as he holds the door open for me.
What does he want? I wonder as I walk into the corridor.
Grey emerges from the room followed by Buzz-Cut in his sharp suit.
“I’ll call you, Taylor,” he says to Buzz-Cut
Taylor nods and walks away down the corridor. Grey turns to me.
“I wondered if you would join me for coffee this morning,” he asks.
My heart leaps into my mouth. A date? Christian Grey is asking me on a date?
I clear my throat, trying to control my nerves.
‘I’m sorry, I can’t. I have to drive everyone home,’ I say.
‘Taylor!’ he calls. Taylor turns around and walks back towards us.
“Are your friends based at the university?” Grey asks me softly.
‘Yes,’ I reply.
“ Taylor - please can you drive José , Travis and Miss Kavanagh back home?”
“Certainly sir,” Taylor says.
“There. Now you can join me for coffee,” Grey asks, smiling.
“Um, Mr. Grey, look, Taylor doesn’t have to drive them home.” I glance at Taylor,  “I’ll swap cars with Kate, if you give me a moment?’
Grey smiles an unguarded, natural, smile.  He opens the door of the suite and I go back inside, where Kate and José are talking.
“Ana, I think he definitely likes you,” she says when she sees me.  “But I don’t trust him,” she adds.
“Kate,’ I interrupt, if you take the Beetle, can I take your car?”
“Why?”

I’ve still edited this bit, though if I was editing the whole book, I’d actually cut this whole exchange.  José  or Travis could have driven them all to the Heathman in the same car at the start of C3. I haven’t got to this bit in Twilight yet, so I don’t know why all this fucking around with who’s driving who is important.

“Christian Grey has asked me to go for coffee with him.” I tell her.
She looked a bit surprised, then grabs me by my arm and drags me into the bedroom.
“Ana, there’s something about him,’ she says, sounding worried. ‘He’s gorgeous, I agree. But I think he’s dangerous, especially to someone like you.”
“What do you mean, someone like me?” I say, feeling insulted.
‘You know what I mean, Ana,’ she says.
I feel my face getting hot.
‘Kate, it’s just coffee. I’m starting my exams this week, and I need to study, so I won’t
be long.”
She seems to think it over.
‘Alright, then,’ she says eventually, and we swap keys. “I’ll see you later. Don’t be long, or I’ll send out a search party,’
“Thanks, Kate,” I say, hugging her.
I leave the suite to find Christian Grey waiting in the corridor. He looks like a model posing for a glossy magazine.
“Okay, let’s get coffee,” I say, and I hope I’m not blushing.
He grins.
“After you, Ana” he says, holding his hand out for me to go first.
I make my way down the corridor, my knees feeling like jelly, butterflies in my tummy, my heart thumping.
The elevator doors slide open to reveal a young couple kissing passionately. They quickly let go of each other as we walk in, and I struggle to maintain a straight face.. I’m definitely blushing now. When I glance up at Grey, he has a hint of a smile on his lips.
The four of us ride down to the first floor in awkward silence.
When the doors open, Grey takes my hand, clasping it with his cool fingers. I feel a tingling current run through me. As we walk away, I can hear the kissing couple laughing.
“What is it about elevators?” Grey says, shaking his head and smiling.
It’s a fine, May morning and Christian Grey is holding my hand.
I hope he can’t feel me trembling and I try to suppress the great big silly smile I have on my face.
In the Portland Coffee House, Grey says, “Go choose a table while I get the drinks. What would you like?”
“English breakfast tea, please. Bag out.”
“OK. Sugar?”
For a moment, I think I’ve misheard, then I realise he’s asking me if I want sugar.
“No thanks.” I say.
“Anything to eat?”
I shake my head. “No, thank you.”
He heads to the counter and I stare at him as he stands in line.
A couple of times he runs his fingers through his now dry but still messy hair.  I’d like to run my fingers through his hair, I think. All these unfamiliar images keep popping into my head since I met Christian Grey, and I don’t know what to make of them. I’ve never thought about anyone like this before. But is he just being friendly? Am I imagining the way he looks at me?
“Penny for your thoughts?” Grey says, as he sets our drinks down on the table. He sits down opposite me and crosses his long legs. He looks so comfortable, so at ease in his own skin.
I was just thinking about running my fingers through your hair.
“Thanks for the tea.” I say, as I plop the teabag into the pot and almost immediately fish it out again. He looks at me quizzically.
“I like my tea weak,” I explain.
“I can see that. Is José  your boyfriend?’ he asks.
“No. José’s a good friend of mine, that’s all. What made you think he’s my boyfriend?”
“The way that you look at each other,”
“He’s more like a brother,” I say.
Grey nods, and peels the paper from the blueberry muffin he has bought for himself.
“Do you want some?” he offers.
“No thanks, I’m not hungry,’
‘Is the man I met at the store yesterday your boyfriend?’ he asks.
“No. Paul’s just a friend. Why?’
“You seem nervous around men.”
“You make me nervous,’ I admit.
“You’re very honest.,’ he says. ‘and you’re mysterious,’
“Oh, there’s nothing mysterious about me.” I say, because it’s the truth.
“You seem very reserved,” he adds.
Am I reserved? I don’t think I am.
“Except when you blush, which you do a lot.  I’d like to know what you’re blushing about.” He pops a small piece of muffin into his mouth and chews slowly, not taking his eyes off me.
‘You seem authoritarian,” I challenge.
He raises his eyebrows. ‘I’m used to getting my own way, Ana,’
“I don’t doubt that. Why haven’t you asked me to call you Christian?”
“The only people who call me Christian are my family and friends,’
Oh. He is arrogant.
I take a sip of my tea, and Grey eats another piece of his muffin.
“Are you an only child?” he asks.
“Yes.” I reply.
“Tell me about your parents.”
“My mom lives in Georgia with her new husband Bob. My stepdad, Ray, lives in Montesano.”
“Where is your father?”
“My father died when I was a baby.”
“I’m sorry,” he says, and for a moment, he looks troubled.
“Don’t be sorry. I don’t remember him.” I say. ‘I had Ray. He raised me,’
‘What’s Ray like?’
“He’s a typical dad. You know? He likes football, and carpentry, fixing cars and drinking beer. He’s not very talkative, but he’s always been there for me when I’ve needed him,’
“You lived with him?”
“Yes. My mom met her third husband when I was fifteen. I decided to stay with Ray.”
“You didn’t want to live with your mom?” he asks.
“It was difficult. The third husband lived in Texas. My home was in Montesano. Tell me about your parents,”
“My dad’s a lawyer, my mom is a paediatrician. They live in Seattle.”
‘They must be very proud of you. What do your siblings do?”
“Elliot’s in construction, and my little sister, Mia, is in Paris, training to be a chef,’
“Everyone says Paris is beautiful," I say.
“It is. Have you been?” he asks.
“I’ve never left the USA.” I admit.
“Would you like to go to Paris one day?’
“Of course,” I say, “but I’d like to go to England more,’
‘Why England in particular?’
‘I’d like to see the places that inspired writers like Hardy, Austen and the Brontë sisters. The wild moors, the Wessex countryside. Talking about writers, I should be studying. My exams start on Tuesday,’
I don’t know if I imagine it, but I think he looks disappointed.
“Where are you parked?’ he asks.
“At the hotel,’
“I’ll walk you back.”
During our silent walk back to the hotel, I try to gauge how our coffee morning has gone. It felt more like an interview than a friendly coffee, or like I was being tested.
We reached an intersection, across the road from the hotel.
“Do you have a girlfriend?” I thought I’d only imagined saying it, but I have blurted the words out-loud. 
“No, Ana, I don’t do the girlfriend thing,” he says.
What does that mean? Is he laughing at me? He wants to know everything about me, but won’t tell me anything about himself! Was he just teasing me?
I step out into the road without looking.
“Ana!” Grey tugs my hand so hard that I’m pulled against him. The cyclist who has just narrowly missed knocking me down whips past.
“Are you okay?” Grey says. He has one arm around me, holding me against his chest and I can feel the thud of his heart. He smells really good, and I am staring at his mouth, and for the first time in my life, I’m thinking, please, please kiss me.


Monday, 29 August 2016

Dusk Spank - Chapter 3, part one

Day: 1,702
I have finally escaped from the basement where I have been kept prisoner by Erika LaLa James since 2012. Though my name appears in the dedications of her best-selling ‘novel’, I want to make it clear that I had nothing to do with it. NOTHING.
In this chapter I hope put right the wrongs, making good use of the red pen and the delete key. For the benefit of this post, and to avoid confusion, I will call the characters by their original names.
This post will also be done in a few parts, as this chapter reaaaallllly long.

Salvation lies within!

Thwarted Editor, FSOG

PS, the thought of typing out this whole chapter made me want to weep, so I’ve copied and pasted from a PDF. That will explain any formatting errors.

ONM = omit needless words

Kate is ecstatic.‘But what was he doing at Clayton’s?’ her curiosity oozes through the phone. This always reminds me of this bit in A Nightmare on Elm Street (just the first 30 seconds from the 1984 original):



I’m in the depths of the stockroom, trying to keep my voice casual. I’m imagining her voice dressed in jeans and a t-shirt.
“He was in the area.”
“I think that is one huge coincidence, Ana. You don’t think he was there to see you?” My heart lurches at the prospect, but it’s a short-lived joy. The dull, disappointing reality is that he was here on business.
“He was visiting the farming division of WSU. He’s funding some research,” I mutter. 
“Oh yes. He’s given the department a $2.5 million grant.” Wow. 
“How do you know this?”
“Ana, I’m a journalist, and I’ve written a profile on the guy. It’s my job to know this.”
“Okay, Carla Bernstein, I don’t know who ‘Carla Bernstein’ is. There’s a CARL Bernstein who is an investigative journalist, so is it a play on his name? If this is the case, it seems like an odd choice. I’d have just cut this out because a joke isn’t funny if no-one understands it. keep your hair on. So do you want these photos?”
“Of course I do. The question is, who’s going to do them and where.”
“We could ask him where. He says he’s staying in the area.”
“You can contact him?”
“I have his cell phone number.”
Kate gasps.
“The richest, most elusive, most enigmatic I don’t think you need both elusive and enigmatic here bachelor in Washington State, just gave you his cell phone number.”
“Er... yes.”
“Ana! He likes you. No doubt about it.” Her tone is emphatic. She says emphatically
“Kate, he’s just trying to be nice.” But even as I say the words, I know they’re not true - Christian Grey doesn’t do nice. He does polite, maybe. And a small quiet voice whisers, perhaps Kate is right. My scalp prickles at the idea that maybe, just maybe, he might like me. After all, he did say he was glad Kate didn’t do the interview. I hug myself with quiet glee, rocking from side to side, entertaining the possibility that he might like me for one brief moment. Kate brings me back to the now.
“I don’t know who we’ll get to do the shoot. Levi, our regular photographer, can’t.
He’s home in Idaho Falls for the weekend. He’ll be pissed that he blew an opportunity to photo one of America’s leading entrepreneurs.”
“Hmm... What about José?”
“Great idea! You ask him – he’ll do anything for you. Then call Grey and find out
where he wants us.” Kate is irritatingly cavalier about José.
“I think you should call him.”
“Who, José?” Kate scoffs. ONW
“No, Grey.”
“Ana, you’re the one with the relationship.”
“Relationship?” I squeak at her, my voice rising several octaves. “I barely know the
guy.”
“At least you’ve met him,” she says bitterly. “And it looks like he wants to know you
better. Ana, just call him,” she snaps and hangs up. She is so bossy sometimes. I frown at my cell, sticking my tongue out at it. Infantilising main character. I’d just leave it at ‘she is so bossy sometimes’.
I’m just leaving a message for José when Paul enters the stock room looking for sand-paper.
“We’re kind of busy out there, Ana,” he says without acrimony. (bitterness, resentment, ill-feeling or hostility.) So, he’s caught her skivving but ‘acrimony’ seems a bit strong. CUT.
“Yeah, um, sorry,” I mutter, turning to leave.
“So, how come you know Christian Grey?” Paul’s voice is unconvincingly nonchalant.
Paul tries to sound nonchalant.
“I had to interview him for our student newspaper. Kate wasn’t well.” I shrug, trying
to sound casual and doing no better than him.
“Christian Grey in Clayton’s. Go figure,” Paul snorts, amazed. He shakes his head as
if to clear it.
“Anyway, want to grab a drink or something this evening?”
Whenever he’s home he asks me on a date, and I always say no. It’s a ritual. I’ve never considered it a good idea to date the boss’s brother, and besides, Paul is cute in a whole- some all-American boy-next-door kind of way, but he’s no literary hero, not by any stretch of the imagination. Is Grey? My subconscious asks me, her eyebrow figuratively raised. I slap her down. I really hate the whole ‘subconscious / inner Goddess thing. I know they are used to represent Ana’s conscience and what I assume is supposed to be her sexual arousal, but no. Just no. CUT.
“Don’t you have a family dinner or something for your brother?”
“That’s tomorrow.”
“Maybe some other time, Paul. I need to study tonight. I have my finals next week.
“Ana, one of these days, you’ll say yes,” he smiles as I escape out to the store floor.

“But I do places, Ana, not people,” José groans.
“José, please?” I beg. Clutching my cell, I pace the living area of our apartment, star-
ing out of the window at the fading evening light.
“Give me that phone.” Kate grabs the handset from me, tossing her silken red-blonde
hair over her shoulder.
“Listen here, José Rodriquez, if you want our newspaper to cover the opening of your
show, you’ll do this shoot for us tomorrow, capiche?” Kate can be awesomely tough. Or a big fat bully.
“Good. Ana will call back with the location and the call time. We’ll see you tomor-
row.” She snaps my cell phone shut.
“Sorted. All we need to do now is decide where and when. Call him.” She holds the
phone out to me. My stomach twists.
“Call Grey, now!”
I scowl at her and reach into my back pocket for his business card. I take a deep,
steadying breath, and with shaking fingers, I dial the number.
He answers on the second ring. His tone is clipped, calm and cold. As ‘clipped and cold’ = brusque and rude, how can his tone also be calm? Cut calm, or cut ‘clipped and cold.’ You can’t have all 3, EL James!
“Grey.”
“Err... Mr. Grey? It’s Anastasia Steele.” I don’t recognize my own voice, I’m so ner-
vous. There’s a brief pause. Inside I’m quaking.
“Miss Steele. How nice to hear from you.” His voice has changed. He’s surprised, I
think, and he sounds so... warm – seductive even. My breath hitches, and I flush. I’m suddenly conscious that Katherine Kavanagh is staring at me, her mouth open, and I dart into the kitchen to avoid her unwanted scrutiny.
“Err – we’d like to go ahead with the photo-shoot for the article.” Breathe, Ana, breathe.
My lungs drag in a hasty breath. “Tomorrow, if that’s okay. Where would be convenient for you, sir?” Foreshadowing, BING!
I can almost hear his sphinx-like smile through the phone. I imagine him with a sphix-like smile on his face.
“I’m staying at the Heathman in Portland. Shall we say, nine thirty tomorrow morn-
ing?”
“Okay, we’ll see you there.” I am all gushing and breathy – like a child, not a grown
woman who can vote and drink legally in the State of Washington. Ana can’t vote or drink legally in any other State, apparently. Also, ‘gushy and breathy like a child’ YUCK. I know EL James is trying to say Ana sounds out of breath, but ‘breathy’ means rasping, throaty or gruff. Does Ana smoke 40 a day? Why not say, ‘my voice is husky’? Husky sounds sexier than a child with croup and norovirus.
“I look forward to it, Miss Steele.” I visualize the wicked gleam in his gray eyes. How
can he make seven little words hold so much tantalizing promise? I hang up. Kate is in the kitchen, and she’s staring at me with a look of complete and utter consternation on her face.
“Anastasia Rose Steele. You like him! I’ve never seen or heard you so, so... affected
by anyone before. You’re actually blushing.”
“Oh Kate, you know I blush all the time. It’s an occupational hazard with me. I actually laughed out loud at this, because I imagined a Kristen Wigg SNL sketch where she plays Ana as the world’s most prudish sex toy tester.
“Don’t be so ridiculous,” I snap. She blinks at me with surprise – I very rarely have hissy fits No, you’re normally just really mean about your friend behind her back– and I briefly relent. “I just find him... intimidating, that’s all.”
“Heathman, that figures,” mutters Kate. “I’ll give the manager a call and negotiate a
space for the shoot.”
“I’ll make supper. Then I need to study.” I cannot hide my irritation with her I don’t get why Ana  irritated with Kate. Kate only suggested Ana fancies Christian, which is true. I’m guessing it’s because at this point, Ana hasn’t admitted her own feelings yet.  as I open one of cupboards to make supper.

I am restless that night, tossing and turning. Dreaming of smoky gray eyes, coveralls, long legs, long fingers, and dark, dark unexplored places. I wake twice in the night, my heart pounding. Oh, I’m going to look just great tomorrow with so little sleep, I scold myself.  I punch my pillow and try to settle.  James relies on dreams to explain state of mind far too often. And IRL, dreams are never so clear. Do know what I dreamed about once? That there was a lion living at the bottom of my back garden.  Starting and ending of chapters with characters waking up / falling asleep is lazy writing.  Sleeping/ waking was used really effectively in Mulholland Drive because it represented a narrative shift, but in FSOG, it’s really clunky and used because James doesn’t know how to pace a plot.
The Heathman is nestled in the downtown heart of Portland. Its impressive brown stone edifice was completed just in time for the crash of the late 1920s.  Just cut all this José, Travis, and I are traveling in my Beetle, and Kate is in her CLK, since we can’t all fit in my car. Car ex machina! Travis is José’s friend and gopher, is here to help out with the lighting. Kate has managed to acquire the use of a room at the Heathman free of charge for the morning in exchange for a credit in the article. It seems unlikely ro me that students are going to be able to afford to stay at this hotel, unless all their parents are as rich as Kate’s. When she explains at reception that we’re here to photograph Christian Grey CEO, we are instantly upgraded to a suite. Just a regular-sized suite, however, as apparently Mr. Grey is already occupying the largest one in the building. An over-keen marketing executive shows us up to the suite – he’s terribly young and very nervous for some reason.  I suspect it’s Kate’s beauty and commanding manner that disarms him, because he’s putty
in her hands. The rooms are elegant, understated, and opulently furnished.   A room can’t be both opulent and understated at the same time.
It’s nine. We have half an hour to set up. Kate is in full flow.       
“José, I think we’ll shoot against that wall, do you agree?” She doesn’t wait for his
reply. “Travis, clear the chairs. Ana, could you ask housekeeping to bring up some refreshments? And let Grey know where we are.”
Yes, Mistress. Clumsy foreshadowing!She is so domineering. I roll my eyes, but do as I’m told.

Half an hour later, Christian Grey walks into our suite.
Holy Crap! He’s wearing a white shirt, open at the collar, and grey flannel pants that
hang from his hips. Where does everyone else wear their trousers?? 




His unruly hair is still damp from a shower. My mouth goes dry looking at him... he’s so freaking hot. Grey is followed into the suite by a man in his mid-thirties, all buzz-cut and stubble in a sharp dark suit and tie who stands silently in the corner. His hazel eyes watch us impassively. What, the suit and tie stand silently in the corner? Is the stubble wearing the suit?  Also, how can Ana tell what colour his eyes are, unless she goes right up to him and stares at his face?

Grey is followed by a man in his mid-30s. The man has stubble and a buzz-cut. He is wearing a dark suit and tie. He goes and stands silently in the corner.

“Miss Steele, we meet again.” Grey extends his hand, and I shake it, blinking rapidly.
Oh my... he really is, quite... wow. As I touch his hand, I’m aware of that delicious current running right through me, lighting me up, making me blush, and I’m sure my erratic breathing must be audible.
“Mr. Grey, this is Katherine Kavanagh,” I mutter, waving a hand toward Kate who
comes forward, looking him squarely in the eye.
“The tenacious Miss Kavanagh. How do you do?” He gives her a small smile, look-
ing genuinely amused. “I trust you’re feeling better? Anastasia said you were unwell last week.”
“I’m fine, thank you, Mr. Grey.” She shakes his hand firmly without batting an eyelid.
I remind myself that Kate has been to the best private schools in Washington. Her family has money, and she’s grown up confident and sure of her place in the world. She doesn’t take any crap. I am in awe of her. Ana assumes money = confidence. More Kate bashing.
“Thank you for taking the time to do this.” She gives him a polite, professional smile.
“It’s a pleasure,” he answers, turning his gray gaze on me, and I flush, again. Damn it.
“This is José Rodriguez, our photographer,” I say, grinning at José who smiles with
affection back at me. His eyes cool when he looks from me to Grey.
“Mr. Grey,” he nods.
“Mr. Rodriguez,” Grey’s expression changes too as he appraises José.
“Where would you like me?” Grey asks him. His tone sounds vaguely threatening. But Katherine is not about to let José run the show. No hint that José wants to run the show.
“Mr. Grey – if you could sit here, please? Be careful of the lighting cables. And then
we’ll do a few standing, too.” She directs him to a chair set up against the wall.
Travis switches on the lights, momentarily blinding Grey, and mutters an apology.
Then Travis and I stand back and watch as José proceeds to snap away. He takes several photographs hand-held, asking Grey to turn this way, then that, to move his arm, then put it down again. Moving to the tripod, José takes several more, while Grey sits and poses, patiently and naturally, for about twenty minutes.   
My wish has come true: I can stand and admire Grey from not-so-afar. Twice our eyes lock as Grey poses in the chair and I have to tear myself away from his cloudy gaze. Does he have glaucoma?
“Enough sitting.” Katherine wades in again. “Standing, Mr. Grey?” she asks. ‘Can we have some photos of you standing, Mr Grey?’ Kate says.
He stands, and Travis scurries in to remove the chair. The shutter on José’s Nikon
starts clicking again.
“I think we have enough,” José announces five minutes later.

TBC.... if you can stand it. 

Sunday, 28 August 2016

Dusk Spank - Chapter 2


Last time on Dusk Spank….
Naïve *Mary-Sue, I mean, Bel - I mean, Annie met enigmatic, rich entrepreneur Cullen Grey and she hasn’t stopped thinking about him since. 
*Mary-Sue: an idealised and seemingly perfect fictional character that is often recognised as an author insert or wish fulfilment.

My heart is like, going really fast. As soon as the elevator doors slide open, I scramble out stumbling once but not sprawling on the sandstone floor. I love alliteration, don’t you?
The air outside is really refreshing, cleansing, bracing and cool because it’s raining. I let the rain rain on my face until I feel normal again.


I CAN’T STOP thinking about the interview as I drive home. OK, so Grey is really handsome (I forgot to tell you how handsome he is) he’s confident, commanding, self-assured….but he’s also arrogant. But then he should be, he’s so young (I didn’t tell you how young he is) and he doesn’t suffer fools gladly. ‘Doesn’t suffer fools gladly’ means he doesn’t put up with shit from anybody. I a 21 year old American, but I say things like ‘doesn’t suffer fools gladly.’

I don’t know what it is about him that makes me feel this way. Is it looks? [HINT it’s his looks) his money? (HINT it’s also the money) his civility? [Ed's note…..??]

I really don’t understand why someone would be so driven to succeed. I mean, I don’t care about empty, meaningless things like success and money, I’m happiest when I’m curled up with my books and a cup of English breakfast tea. I am American, but I really like tea.
But Karen’s questions! Asking if he was gay! Cringe! Karen is so insensitive!  Like, who cares if he’s gay, Karen!  Not me! I really love gay people, they’re so twinkly and jolly and ‘out there’, aren’t they? It’s totally Karen’s fault I asked that gay question without reading it first.
I should just forget about Cullen Grey. He’d never be interested in me anyway, because of my big blue eyes, soft wavy brown hair and skinny figure.  The thought that I never have to see him again really makes me happy, so I put on some indie rock music. I don’t know any indie rock bands, so I’m going to be strangely vague about what exactly I’m listening to, but then later on I’m going to be strangely specific about music, like those interludes in American Psycho where Patrick Bateman goes on and on about really liking Phil Collins.

I LIVE PRACTICALLY rent free in the apartment Karen’s parents bought for her. After our exams, we’ll move to another apartment in Seattle. This should tell you how rich Karen’s parents are, they can just buy apartments all over the place.
Erggn, Karen is going to want a really detailed account of the interview, and Karen is really stubborn as well as selfish.

‘Annie!’ she says. She’s sitting in the living room surrounded by books. GOD why can’t she revise in her bedroom like a normal person?  She’s so annoying.
She’s still got her ugly pink pyjamas on, the ones she wears when she falls into deep depressions and struggles to function properly. God, it’s so annoying when she’s moody like that, shuffling round the house crying and stuff.  She actually has no idea what it’s like to be really, really unhappy because she’s lead such a charmed life. She’s so pretty and confident, all the things I’ll never be. She’s got nothing to be sad about and I have, but you don’t see me moping around feeling sorry for myself.

‘How did it go?’ she asks. OH NO, the Karen Cartwright Interrogation!
It’s gonna be hard answering this question, what can I say?
I say, ‘He’s sooooo young. And arrogant,’
Karen gazes at me innocently quizzically questioningly with her head tilted to one side.
I frown, and say, ‘Don’t you look so innocent. Why didn’t you give me a biography? He made me feel very foolish for not bothering to do any research,’
Karen sometimes gets this look on her face that I find hard to understand. It sort of looks like she’s really angry, but then kind of looks like she’s trying to squash all the anger.
‘Annie-’ She says, ‘OK, yeah, I’m really sorry,’
I hurrumph, to let her know I’m still annoyed with her.
‘He seems old before his time,[LIKE A VAMPIRE???] though he looks really young. How old is he, anyway?’ I ask.
‘27. Give me the recorder so I can make a start on the interview,’
‘Here you go. I have to run, I’ve got work this afternoon,’ I say that last bit a little bit snidely, so she knows it’s her fault I have to revise, go to work and interview a hot young man all in one day.
‘Annie, you’ll be exhausted,’ she says. God Karen, not all of us have rich parents, you know! Some of us have to work. You don’t have to rub it in!
‘I’ll be fine,’ I say, bravely. ‘See you later,’

SO THIS NEXT BIT doesn’t actually have anything to do with the plot, it’s just another needless information dump. I’ll sum up: I work in a hardware shop. PAY ATTENTION to the hardware shop bit, it’s going to be important later on. Kind of.

SO AFTER WORK AT THE hardware shop I go home, and me and Karen have this super interesting conversation about Cullen Grey: how cold and arrogant and young and handsome he is and how weird it is that he’s never seen with a woman and how he might like me. I’m guessing this is so you, the reader, understands that me and Karen are really good friends who have good bantz. Then I make sandwiches.

OK, SO IN THIS bit, I write my essay on Tess of the d’Urbervilles. This is so you know that I am clever because I’ve read and understood books that are more than a hundred years old. Books that are that old are really hard to read and understand. It is also so the reader can make comparisons between Tess and me.
It’s really late when I’ve finished my essay. I go to bed. I have a dream about gray stuff and white stuff and steel stuff and glass stuff and eyes. WHAT DOES IT MEAN???

BECAUSE I HAVE A LIFE I throw myself into my studies and working in the HARDware shop (the HARDware shop is going to be important later on, so PAY ATTENTION)
By Wednesday that selfish bitch Karen is feeling much better and I don’t have to put up with the sound of her constantly sniffing and coughing, and EVEN BETTER I don’t have to endure the sight of her in the ugly pink rabbit pyjamas. For some reason, those pyjamas make me irrationally angry.
I phone my mom, because she’s like the world’s worst mom and never phones me, because she’s too busy starting lame businesses and hanging around with her MUCH older husband, Barry. Seriously, it’s gross how old Barry he is. He’s not YOUNG like Cullen Grey. I didn’t tell you how young Cullen Grey is. He’s 27. That’s young.
It was so weird, though, when I’m talking to mom, she asks if I HAVE MET SOMEONE!!! I think my mom might be psycho or something, like, she can read my mind. I tell her I haven’t, because who talks about boyfriends with their moms? Ewww, AS IF!  So I distract her by asking about Barry. My mum is a bit like me, she can get easily distracted by shiny things or things with little bells on them.
Then I phone my stepdad, Roy. This is because you, the reader, needs to know I have a stepdad and what sort of man he is. He’s a ‘Merican man. He likes tool belts, carpentry, beer, and soccer. I am going to say something super clever now – it’s because of Roy that I know the difference between a hawk and a handsaw. See what I did there? I have referenced *Hamlet AND the hardware shop!

FRIDAY NIGHT (I dropped the ‘on’ so you know that I am a normal, 21 year old American and not a 45 year old English woman with a lady-boner for teenage vampires) Karen and I are deciding what to do. We could do with a break. Well, I could, I am the one that has a job.
Anyway, the doorbell rings. It’s my good friend Jake, and he’s bought some champagne. I have known Jake since my first day here, and we’ve been friends ever since.
Jake is studying engineering, but it’s not really relevant to anything. What is important is that his real passion is photography. Clue: pay attention to the bit about photography.  Jake fancies me, which is weird, because I am so unattractive. Jake’s sort of hot, but he’s not a pasty Englishman with a stiff upper lip and emotional retardation issues; he’s olive-skinned, dark-eyed and muscular, so you can see why we’ll never be anything more than just friends.
Anyway, this bit just happens so you know 3 things: Jake likes photography, he likes me (but I don’t like him in that way) and he has an exhibition soon that he wants me and Karen to go to.
SATURDAY AT THE STORE IS A NIGHTMARE I hate paying customers coming in and asking for my help.
It seems like an odd way to run a store, but I have to eat my lunch while sitting at the counter AND doing purchase orders. I’m going to assume it is purchase orders and not customer orders I’m doing, because: ‘checking items we need against items we ordered’.  I don’t think Mary-Sue has ever worked in a shop.
So I am looking at the computer (THAT’S WHAT THEY’RE CALLED!!) screen and then the order book, because this order is bought to you by 1995 and velvet scrunchies.
For some reason, I look up and find myself imprisoned in the misty mountain morning gray of Cullen Grey’s gray eyes.
My heart literally stops.
Psych! I’m still alive and we’ve got another 490 pages of this slush-pile fuck-fest to go.
‘Miss Mallard, what a coincidence,’ he says, never once taking his intense pewter eyes off me.
Holy chocolate fingers, what he doing here? He's looking all outdoorsy, in his khaki trousers, navy blue Peter Storm fleece, walking boots with an Ordnance Survey map in a plastic pouch around his neck. 
I can’t locate my brain or my voice. I think I keep both of them in my head.  I have a lot of weird ideas about brains and their functions.
‘Mr Grey,’ I manage to say.
‘I was just randomly passing the store I had no idea you worked in. I need to stock up on a few things. It’s a pleasure to see you again, Miss Mallard,’
His voice is warm, like a sexy oven-fresh cherry pie with a blob of whipped cream on it, like French bread spread with Primula cheese, like a hazelnut hot chocolate, like Nutella on toast (hmmm, smooth AND crusty) like cake batter, like ice-cream, but you know, warm ice-cream.
I shake my head to see if I can start my brain up.
I am so surprised to see him; he is utterly breath-taking.  Like, the top pepper on the man version of the Scoville Scale.
Shaking my head restores my cognitive functions, but only some of them, because over the next 7 painful pages, I am going to almost amputate a finger and lose the ability to speak several times. 
Cullen Grey buys:
Cable ties
Masking tape
Rope
Coveralls
I wonder what he wants it all for? He says it’s for decorating. I didn’t know billionaires did their own decorating.  He’s so mysterious!
The whole time he’s following me round the store l am thinking about how sexy he is, his beautiful mouth, his messy copper hair, the way his snug jeans hug his perfect butt.
He then suggests that we do photoshoot to go with the interview! If only we knew a photographer! Perhaps someone from the student newspaper can do it….?
When he gives me his number, ‘the earth shifts slightly on its axis, the tectonic plates sliding into a new position.’  Cullen Grey can cause earthquakes.  This magical, sexy moment is totally ruined by stupid, ugly Phil. His older brother owns the store. Me and Phil have always been good friends, and it’s good to see him, but he’s always been a bit too touch-feely. I don’t know why – it’s not like I am really attractive. Cullen Grey looks annoyed that Phil interrupted us, and the atmosphere turns a bit frosty. I introduce them, Phil is super impressed because he’s studying business administration, he knows exactly who Cullen Grey is. He even has the cheek to try and take over from me! But Cullen Grey is having none of it.
 ‘Annie has been very attentive…to my…needs,’ he says.
His face remains inscrutable, yet…yet the way he says needs. I can’t help thinking he’s hinting at something else. I’m so confused.
‘OK, good to meet you Mr Grey,’ Phil says. ‘See you soon, Annie,’
‘Bye, Phil. Do you need help finding anything else today, Mr Grey?’
For some reason, Grey’s tone has changed. It’s all clipped and cold and short and brusque and terse.
‘That’s everything,’ he says, and we go to the till so I can ring it all up and put it in a bag and he can pay. This bit takes half a page. HALF A PAGE!!!! I’ve been through queues in Tesco at Christmas in less time than that.
‘So call me, about the shoot,’ he says, when I hand him the bag, which he slings over his shoulder. ‘Oh, and Miss Mallard, I’m glad that Miss Cartwright couldn’t do the interview,’ and he strides out of the store, leaving me feeling like this: 

wet


 I will never see him. I mean, I’ll see him at the photoshoot, but after that. I’ll have to admire him from afar. That will have to do, because he’ll never like me in that way.
For now I have to phone Karen, we’ve simply got to find a photographer!


Bonus Round (BING!)

‘For some reason’ : 2

Hot: 4 


* And in case you're wondering... Both hawks and handsaws are types of bird. Hamlet is saying that he is able to tell the difference between friends and enemies. So is 'Roy' an ornithologist, or did he help 'Annie' work out who is her friend and who isn’t? If anyone knows what Annie means when she says this, comment.