Sunday 11 November 2018

Elisa Lam 2018

At the end of 2015 and beginning of 2016, far away from home in a strange country, I'd pass sleepless hours watching Youtube videos, in particular John Lordan's channel, Lordan Arts. John's channel focusses on missing person's cases an unsolved crimes, and his series on Elisa Lam are amongst the most thorough and well-researched out there. 
The Chinese-Canadian student's strange and loney death on the roof of a grubby, run down hotel in the wrong part of Los Angeles haunted me. I would wake and think I could see Elisa standing in the dark corners of the bedroom. I was in a strange country, like she was. Most nights, I was alone in a gated apartment complex, but I didn't always feel safe there.
Elisa's case still frequently features in internet chat forums to this day, though the general consus has moved away from the haunted hotel / demonic possession / foul play angle into the more plausible and likely theory that in the grip of a break from reality, Elisa died as she tried to hide from an imagined persuer in the rooftop water tank.
As the time has passed since I wrote about Elisa, I have come to agree with this theory. I had already discussed how Elisa's mental health may have made her vulnerable while she was travelling, and initially I thought this may have been because she would have been an easy target for a predator. Now I think that Elisa did become unwell on her trip and made her way to the roof and into the tank of her own accord.
The doors to the roof weren't locked and alarmed as hotel staff claimed they were. A group of Chinese film makers proved this when they travelled to LA, checked into the hotel and easily accessed the roof via a fire escape.
 The water tank Elisa was found in did have a lid, but it wasn’t especially heavy and it obviously wasn’t locked. The hole it covered was also wide enough for someone to be able to climb through.
The ‘preternatural’ elements that made this case so strange are really not so strange under scrutiny. The one that’s talked about the most is the elevator camera footage of Elisa behaving oddly; waving her arms about, peeking into the corridor, pressing all the buttons and hiding in the corner. I think it'sobvious now that she's talking to someone created enitirely in her own head; not a murderous guest, or a ghost, or an evil spirit. 
The bookshop owner that said Elisa’s behaviour was ‘normal’ the day she came into the shop to buy gifts for her family.
Her clothes in the tank with her, covered in a fine sandy substance.
What she was doing on the fifteenth floor in the early hours of the morning.
But then there’s the other guests she was sharing a dorm with, who were so concerned by her odd behaviour, they asked for her to be moved to another room. There’s her missing medication.
And there’s this: she was a real person, with a real family and real friends. She wasn’t a ghost, or a host for a demon, or a medical experiment test subject gone wrong, or a spy. She was an unwell woman. Lone women are already vulnerable. Mentally ill, lone women (mentally ill people full stop) are even more vulnerable. She was far from home. She had no-one around her to know that her bahviour wasn’t normal and to look after her.
The time has come where it feels appropriate to delete the blogs that I originally wrote about Elisa, so that we can lay her to rest properly.
I'd still like to finish with the post that I finished my very last installment on Elisa's story though, because I think it's so very fitting. I do still think about Elisa from time to time - she reminds me so much of my travels to strange countries, and her experiences with feeling at odds with herself resonated with me. My journey with her ends here, though. Goodnight, Elisa.
Elisa,

This will seem stupid to many people, because I am writing to a dead person.

I don’t know you and we have never met or even knew of each other’s existence until your tragic fate. When I first heard of the news and saw your picture. I don’t know why, but I felt torn and drawn to you. I became obsessed in finding news articles about the case. I tried but could not let it go. I became obsessed in finding more about you.
Now, after reading your tumblrs, tweets, and this blog. I am at a loss for words because I feel like I am literally staring at a mirror of myself. Your words are the very words I’ve spoken (and typed) in my life. Your questions are ones I’ve asked myself so many times. Your fears, regrets, and even the joys and cheers. I understand the cause of your depression, as it is for me… the unfulfillment of two greatest desires: to be loved, to be understood.
You are a perfectionist, and you are looking for perfect love. 
And so much that to the world you seem odd and out of place, this letter. 
Because at the very least, you would know… someone does understand. 
But even in death, you have helped others. 
Because knowing you, now I know… someone understands me. 
My whole life, I’ve asked that question too… if only… if only someone understands me. 
Understands what I am going through. 
The irony of life that I finally found someone who does, and she is gone.
My only regret is… not finding you sooner.
*sigh*
 
God bless you. Good journey…

Saturday 3 November 2018

Re-Reading: Jemima J by Jane Green

Libby
One thing I'll say for Jemima J is at least she's not as much of an insufferable douche noodle as Libby is. That doesn't mean I like Jemima, our morbidly obese eponymous heroine. I don't think her creator, Jane Green, thinks much of her either, and that's because Jane Green seems to hate women. Fat women, confident women, women over forty, young women, bitchy women, smart women, stupid women. None of them are safe from Green's judgemental snark cannon. I started to think that Green might actually be a lonely fat, angry Red Piller who was rejected at school by girls, not because (as he misguidedly thinks) they find his physical appearance replusive and should get to know the 'real him', but because he's actually just not a very nice person.

Jemima lives with flatmates Sophie and Lisa, who are right out of The Brother's Grimm. Beautiful, stupid and bitchy I am not sure what purpose the two serve to the story other than to try and make us feel sorry for Jemima.
Jemima's eating issues and weight problems are never really explored. She's fat and she eats alot. She has troublesome relatonship with her critical and selfish mother, but then who doesn't have mummy or daddy issues? We never know why Jemima is the way she is, which misses a huge opportunity for Green to explore our issues with food and body image in a sensible way instead of ham-fistedly trying to imagine what it might be like to be fat.

 I don't think Green has ever met a fat person - Jemima is about 100Ilbs overweight, or 7 stone. Let's assume that the average healthy weight, 5"7 British female weights what - 9 / 9.5 stone? That would put Jemima at 16 stone. Jemima manages to lose 7 stone in THREE MONTHS. THREE MONTHS. With no 'loose skin' because apparently over excersising to the point of exhaustion means you don't have any loose skin when you loose that much weight that quickly.  This is such a fundamentally dangerous and unhealthy message to send to younger readers - that they can easily lose that much weight that quickly with no health consequences whatsoever it made me want to throw this stupid book at a wall. It's hinted ever so slightly that people are worried about Jemima's miraculous weight loss - her PT for example expresses concern but does little to intervene and make sure Jemima isn't headed down the opposite road of her eating disorders. Jemima also manages to achieve a six pack and muscular thighs in this time, which is so fucking laughable I almost cried.

By the time she's lost weight, she's reinvented herself as 'JJ' and has started an internet romance with hot Californian Brad, despite being in love with her handsome colleague, Ben. Sadly Ben only sees Jemima as a friend and nothing more.

JJ works on local paper the Kilburn Herald with bitchy Geraldine and handsome Ben. The three of them form a closeknit friendship in which they never hang out with each other or phone each other. After Ben leaves the Herald for the bright lights of showbiz TV, JJ flies out to LA to meet Brad, even though she's afraid he might have catfished her (though this book was written in the days before the term was invented).

Brad turns out to be as hot as his photos and for a week Brad and JJ fuck, exercise, eat salad, fuck, exercise, eat salad, fuck, exercise, eat salad, fuck, exercise, eat salad. Oh and they go to a coffee shop 'calling itself Starbucks'. Brad of course, is not all he seems and it turns out that he's actually in a relationship with his fat assistant Jenny. He was only using JJ for her looks, because a man of his stature (he owns a gym) needs a hot girlfriend. This is the plot twist. Yes, really. Man fancies fat woman shocker.

It was pretty obvious that Brad was going to have a dark secret, and I should have seen it coming a mile off when Jenny was so openly hostile to JJ, but I didn't. After I'd got to this bit in the book, I read it again to make sure I hadn't hallucinated that bit. Why would a gym owner need a hot girlfriend? Why is it weird that he has a 'fetish' for fat women? (there goes the snark cannon again) it just didn't make any sense.

Round about the time JJ has found out Brad has a fat festish, Ben is flying out to LA to interview a movie star, who of course is goregeous but is into physcobabble bullshit and thus stops being alluring to Ben. While he's in LA, he keeps seeing this beautuful blonde woman and can't stop thinking about her. He finds out that Jemima is in LA and calls her.

When they meet, he doesn't recognise his old friend - he's just sp pleased to have randomly bumped into the hot blonde he kept seeing around town. JJ's heartbroken, but agrees to meet up with Ben again and reveals that she's really his old friend.

The fact that Ben only fancies Jemima now she looks how she does was so, so disappointing. And it made me hate Ben but it made me hate Jemima more for falling for that bullshit. Green tries to salvage this in the epilogue, saying that Jemima is now 'a healthy size 12 and Mrs Ben Williams' but it's too little too late. The message that if YOU change YOU'LL get the man makes me furious, furious, furious.  Green also bangs on about the power of never giving up on your dreams and what a small, narrow world it is if by great things you mean losing weight and getting the man of your dreams who wouldn't look twice at you when you were fat.

Fuck you, Jane Green. Fuck you.